Haus ohne Dach
House without roof
Soleen Yusef | Germany, Kurdistan | Fiction
Furora x Posterwomen
Svenja Prigge
Baronesa
Juliana Antunes | Brazil | Documentary/Fiction
SPEED DATING BRUNCH
Apnoe
Nicola Sangs | Belgium, Hungary | Documentary
Call of Cuteness
Brenda Lien | Germany | Animation
film markets
connecting@international festival labs
Paola Wink
Carne
Meat
Mariana Jaspe | Brazil | Horror
GRITO! PARTE I:
MINI MANIFESTO FEMINISTA INTERSECCIONAL EM IMAGENS
SHOUT! PART I:
MINI FEMINIST INTERSECTIONAL MANIFESTO IN IMAGES
Dandara de Morais | Brazil | Documentary
Sound Design
Ella Zwietnig
LEV
Alina Yklymova | Germany | Fiction
Organisar lo (im)possible
Organizing the (im)possible
Carme Gomilla, Tonina Matamalas | Spain | Documentary, Animation
Reverie
Lea Schmitt | Germany | Animation
RIOT NOT DIET
Julia Fuhr Mann | Germany | Dokumentar
Selva
Sofía Quiroz | Costa Rica, Argentina, Chile | Fiction
Somebody's Daughter
Shalini Adnani | Mexiko, United Kingdom, Chile | Fiction
The National Garden
Syni Pappa | Greece | Fiction
Three Centimetres
Lara Zeidan | United Kingdom, Lebanon | Fiction
FEATURES
HOUSE WITHOUT ROOF
Germany/Kurdistan | 2016 | 120 min | Fiction | OV with eng. Sub.
Friday, 7th December 2018 | 20 o'clock
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House without Roof tells the story of the siblings liya, Jan and Alan, who were born in the Kurdish region of Iraq but grew up in Germany. The three want to fullfill their mother's last wish and bury her in their home village next to their father who died in the war. On the Kurdistan-Odyssey, they are not only confronted with their kurdish family, which does not accept the mother's last wish, but especially with themselves. They have distanced themselves from each other in recent years, every sibling lives her/his own live, and when they talk, it usually ends with accusations and harsh words.
Writer & Director: Soleen Yusef
Producer: Mehmet Aktas, Igor Dovgal, Jana Raschke
Commissioning Editors: Stefanie Groß (SWR), Georg Steinert (ARTE)
DOP: Stephan Burchardt
Editor: Hannes Bruun
Music: Paradox Paradise - John Gürtler, Jan Miserre, Lars Voges
Sound Design: Dominik Leube
Production Design: Jalal Saedpanah, Jurek Kuttner
Costume Design: Silvana Ciafardini
Make-Up: Hanna Pfeiffer
Sound Recordist: Bertin Molz
With:
Mina Özlem Sagdıç
Sasun Sayan
Murat Seven
Soleen Yusef (*1987 in Duhok) fled from her kurdish home in Iraq to Germany with her family at the age of nine. After her high school graduation she took a two-year singing and acting course and finished a training as fashion seamstress in Berlin.
Besides that, Soleen got her first work experiences in the film industry by working for a production company. In 2008, she started to study scenic direction at the film Academy Baden-Württemberg. Even if she has worked as a director before, House without Roof was her debut in 2016 and the diploma film for her studies. Soleen Yusef has been awarded for the film at many fesitvals and is now passionately on more new films
Picture: Huia Aloji
Filmography:
Haus ohne Dach, 2016
Der NSU-Prozess, 2015
Der NSU-Prozess, 2014
Trattoria, 2012
Noş [Auf dich], 2011
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BARONESA
Brazil | 2018 | 70 min | Fiction, Documentary | OV with eng. Sub
Saturday, 8th December 2018 | 20 o'clock | Q&A after the screening with the director via Skype
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Baronesa tells the story of the two friends Andreia and Leid who live in a favela in the suburban region of the brazilian city Belo Horizonte. While Leid raises the children on her own because her husband is in prison, Andreia wants to move to a better neighborhood. The two women cope with their daily lives on the edge of the constantly present drugwar and other upcoming tragedies.
Baronesa is an invitation to share experiences through
the feminine point of view and its representation.
Director / Screenplay: Juliana Antunes
Producers: Juliana Antunes, Marcella Jacques & Laura Godoy
Coproducers: Thiago Macêdo Correia, André Novais Oliveira, Gabriel Martins, Maurilio Martins
Executive Producers: Juliana Antunes, Fernanda Brescia, Camila Bahia Braga
Cinematographer: Fernanda de Sena
Sound Technician: Marcela Santos
Sound Editing and Mixing: Pedro Durães
Film Editing: Affonso Uchôa, Rita M. Pestana
Film Poster: Ana C. Bahia
Production Companies: VENTURA, Filmes de Plástico
Associate Producers: Katásia Filmes, Pepeka Pictures
Born in 1989, Juliana graduated in Filmmaking at UNA university, in Belo Horizonte and is a founding partner at VENTURA production company, with Marcella Jacques and Laura Godoy. Juliana debuted as film director with her feature film “Baronesa”, awarded as Best Picture at the Tiradentes Film Festival 2017, where it had its world premiere. "Baronesa" had its international premiere at 28º FIDMarseille, in France, where the film has been awarded with three prizes, included Audience Award. Nowadays Juliana is finishing her short film "Control Plan" and "Industrial" and is developing her second feature film "Hit and Back Copacabana".
Picture: Juliana Antunes
Filmography:
Baronesa, 2017
Plano Controle, Postproduction
Industrial, Postproduction
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Moderation of the Q&A (with the director, via Skype): Letícia da Rosa
Letícia da Rosa studied film production at the Pontifícia Universidade Católica do Rio Grande do Sul (PUC-RS) and German language and literature at the Universidade Federal do Rio Grande do Sul (UFRGS). She works in film production area and in the organisation of film festivals. In 2015 she curated the short film program of the Duhok International Film Festival in Kurdistan. She organises with a small team the Furora Film Festival. At the festival she is responsible for the Program and has curated it’s films.
SHORT FILMS
SHORT FILM-PROGRAMME I:
CAN YOU SEE ME IF I SHOUT?
08th December 2018 | 18 o'clock | 1h33’
Q&A after the screening
1. BLUT | BLOOD
2. Three Centimetres
3. Apnoe
4. LEV
5. Somebody's Daughter
6. Reverie
7. RIOT NOT DIET
8. Carne | Meat
The reluctance to speak and the unwillingness to listen create a fertile ground for conflict. The protagonists of these films want to be heard and try to achieve that by screaming: loud and clear, quietly or even silently. Inner images are transferred to the outside and demand recognition.
SHORT FILM PROGRAMME II:
(RE)MOVE TO REMODEL
08th December 2018 | 22 o'clock | 1h31’
Q&A after the screening
1. die_anderen_Bilder | the_other_images
2. Call of Cuteness
3. Selva
4. Organisar lo (im)possible | Organizing the (im)possible
5. Grito! Parte I:
Mini Manifesto Feminista Interseccional em Imagens
Shout! Part I:
Mini Feminist Intersectional Manifesto in Images
6. The National Garden
For the sake of change and movement these films remodel, renegotiate and reinterpret. Images from the past are placed in a new context and the ones from everyday life are viewed from another perspective. The characters leave their familiar environment behind and break with encrusted structures in search of a new beginning or they just might create a new costume for themselves.
Moderation of both Q&As: Jana Piontkovska
Jana Piontkovska has a B.A. degree in film studies and is currently working on her M.A. at Freie Universität Berlin. She worked for several film festivals such as Berlinale, Rügen IFF, Duhok IFF.
Picture: Masha Yuzkova
APNOE
Belgium/Hungary | 2016 | 9 min | Documentary | OV with engl. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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A past childhood period that was long tucked away in denial comes back alive within the intimate and uterine space of a bathtub.
Writer / Director / Editor: Nicola S. Sangs
Born in Germany, Nicola studied in the Netherlands, Canada and Australia. After graduating in "International Media Management" she worked as a Post- Production Coordinator and Junior Producer for "Golden Kingdom", which has been awarded at the Berlinale 2015. Shortly after, she began her masters degree at a mobile film school in different European countries and works as a producer and director since her gradutation. During her studies "Apnoe" premiered at DocLisboa (2016). Other films have been shown and awarded at film festivals and art exhibitions.Nicola has just founded the Berlin-based, all female, film production company The Moon Embassy, which focuses on reflective and creative
documentary films.
Picture: Nicola Sangs
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BLUT
BLOOD
Germany | 2018 | 10 min | Fiction | OV with engl. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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The protagonists of this film are Lisa, Ruth and Enya. They are experiencing and reflecting upon their
menstruation, and the societal images and assumptions that exist around it. LISA contemplates it
alone, silently, and is distressed. RUTH goes through her daily routine, and is harassed and ridiculed.
ENYA casts an abstract image on her menstrual experience.
Director: Toyah Kaufmann
Production: Toyah Kaufmann & Györley Kaufmann
Camera: Györley Kaufmann
Sound: Sebastian Dieterle
Editor: Anne Talenta
Music Composer: Sidney Kaufmann & Philipp Fuhrmann
With:
Phili Akoro
Anna Stock
Enya Voskamp
Toyah Kaumann, 27, grew up in Speyer, has studied Political Science in Marburg and Bordeaux. Currently she is in her final stages of her Master in Gender Studies at Humboldt University. "BLUT" is her first short movie and will be part of her Master Thesis
Picture: Györley Kaufmann
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CALL OF CUTENESS
Germany | 2017 | 4 min | Animation | without dialogue
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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Whilst we remain safe and sound, watching the highest grossing cat fail compilation - all that is kept out of sight gets back to us in this consumerist nightmare. On a global playground without bounds the cat’s body is devoured, exploited and controlled. They are the natural resources of a luxury they will never know and their fear of pain is stronger than their longing for freedom.
Director / Producer / Screenplay / Animation / Music: Brenda Lien
Sound / Consulting: Oliver Rossol
Born 1995 in Offenbach am Main, Brenda Lien works as an independent filmmaker and film music composer. Since 2012 she studies art at the University of Art and Design Offenbach.
Picture: Brenda Lien
Filmography:
Call of Cuteness, 2017
Call of Beauty, 2016
Der gekerbte Raum aus Stein gegen ein Ideal aus Glas; Striated Stone Meets Fragile Ideals, 2015
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CARNE
MEAT
Brazil | 2018 | 12 min | Horror | OV with eng. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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On a summer night, a young couple has an intense and heated discussion in the pool. When one of them enters the house, the other is surprised by Aman, a mysterious figure with a voracious appetite.
Director / Screenwriter: Mariana Jaspe
Editor: Mariana Jaspe & Ricardo Gomes
Director of Photography: Sid Dore
Sound: Igor Cavalcante
With:
Jeniffer Dias
Dan Ferreira
Mayara Kelly
Mariana Jaspe is soteropolitana, scriptwriter and filmmaker. She graduated in "Film Direction and Masters in Cinema, Television and Interactive Media", makes her film debut with the short film "Carne" (2018). She is currently screenwriter at Rede Globo.
Picture: Mariana Jaspe
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DIE_ANDEREN_BILDER
THE_OTHER_IMAGES
Austria | 2018 | 17 min | Documentary | English, synchronized
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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„the_other_images“ raises the question how memory and remembering is possible when all the digital storages fail or cannot be accessed, postulating a possible answer in form of recycling and reutilizing the digital archive.
Concept/Realisation/Production:
Iris Blauensteiner
Music / Sound: Rojin Sharafi
Technical Consultant: Matthias Writze
Script Consultant: Irmgard Fuchs
Research: Flora Löffelmann
Re-recording Mixer: Rudolf Pototschnig
Translation: Stefania Schenk Vitale
(Wortschatzproduktion)
With
Judith Mauthe
Iris Blauensteiner works as a filmmaker and author. She is making films, especially in the fields of writing and directing. Her films, the latest „the_other_images“, „Rest“ and „Sweat“, were screened at international festivals. 2016 her first novel „Kopfzecke“ was published. She received awards and grants for film and literature. www.irisblauensteiner.com
Picture: Natascha Unkart
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Filmography:
die_anderen_bilder, 2018
Rast, 2016
Schwitzen, 2014
und eine von ihnen singt, 2011
Milch, 2009
Doublage, 2007
GRITO! PARTE I: MINI MANIFESTO FEMINISTA INTERSECCIONAL EM IMAGENS
SHOUT! PART I: MINI FEMINIST INTERSECTIONAL MANIFESTO IN IMAGES
Brazil | 2018 | 23 min | Documentary | OV with eng. Sub.
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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Together, 4 women share their experiences and torments about abusive relationships. From the bottom of the heart they create a Mini Feminist Intersectional Manifesto in images, is the first Shout! Together. Now they can speak out, and begin a journey against all the oppression.
Director: Dandara de Morais
Stories: Anny Stone, Aurora Jamelo, Caia Coelho e Dandara de Morais
Director of Photography: Anny Stone
Sound: Catha
Producers: Caia Coelho, Dandara de Morais
Editing: Dandara de Morais
Editing Collaborators: Ana Julia Travia, Analu, Ivich, Jacqueline Almeida, Lílian de Alcântara
Color Correction: Leticia Batista
Sound Editing: Catarina Apolônio and Saluapo
Designer: Gabriela Amorim
With:
Anny Stone
Aurora Jamelo
Caia Coelho
Dandara de Morais
Dandara de Morais is an actress, dancer and filmmaker from Recife. She had her debut in films in 2014 as lead actress of the feature “August Winds”, winning right after the best actress award in the Festival de Brasília in the same year. Aside working as actress, in 2017 also worked on the pre-production of the film“Superpina” being a member of the casting and costume design crew. In 2018 found herself as filmmaker, has realized 3 shorts, "Bup" (2018), and "Shout! Part I: Mini Feminist Intersectional Manifesto in Images” (2018), a feminist saga in documentaries. Nowadays Dandara works as actress, filmmaker and editor.
Picture: Flora Negri
Filmography:
Bup, 2018
Shout! Part I: Mini Feminist Intersectional Manifesto in Images, 2018
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LEV
Germany | 2018 | 22 min | Fiction | OV with eng. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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LEV is a surrealistic German-Russian fairy tale about a young man who takes shelter from the world of his imagination in order to escape the problems of the real world. Meanwhile his mother finds herself a prisoner in the cultural trappings of traditional motherhood. They both flee in order to find a better life together.
Director / Script: Alina Yklymova
Screenplay Consultant: Fabian Weber
Script Continuity: Christina Bauer & Philipp Drehmann
Camera: Luis Jacobi & Hermine Smit u.a.
Steadycam Operator: Gabriel Sahm
Sound: Alessandro Pohl & Gowryrahm Mohan u.a.
Costume and Setdesign: Johanna Amberg u.a.
Stage: Wolfgang Haselberger u.a.
Makeup Artist: Yasmin von Nagy, Monica Wegenast & Janine Kusche
Production: Johannes Witt, Alina Yklymova, Martin Kadel u.a.
Recording Director: Juan Sebastian Elinan, Benedikt Schulla
Pedagogical Care: Luisa Ederle, Sandra Tomschke, David Schütz
Editng: Marco Hülser, Alina Yklymova u.a.
Visual Effects: Marcos Barahona
Color Correction: Alina Yklymova
Animation: Johanna Amberg, Fabian Weber & Alina Yklymova
Music: Tristan Kühn, Lukas Kuth, Jacob Letz
Sounddesign: Anne Taegert, Berthold von der Ohe, Stefan Intemann, Chistiana Burcea, Stefan Intemann
Alina Yklymova spent one half of her life in Turkmenistan and the other one in Southern Germany. Besides studying Motion Pictures, she worked three years at a local television station and gained a lot of experience in different departments of film- and video production. Since October 2017 she has been studying fiction directing at the Filmakademie Baden-Württemberg in Ludwigsburg. Her focus lays on experimental narrative structures.
Picture: Max Rauer
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ORGANISAR LO (IM)POSSIBLE
ORGANIZING THE (IM)POSSIBLE
Spain | 2017 | 13 min | Documentary, Animation | OV with eng. Sub.
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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«Las Kellys», –The Spanish association of hotel Chambermaids organized outside majority unions– are struggling to improve the working conditions and empower women workers trapped in the precarity of the feminized labour market. Within the 15th minutes that they have to clean up a room, the different issues such as employment precarity, feminization an the invisible workload, health and medicalization, the politics of tourism, migration, community organizing and resistance braid together mapping the complexity that they are facing. A short film made collaboratively with “Las Kellys Barcelona” fromtcome to the end.
Directors: Carme Gomina & Tonina Matamalas
Script: Carme Gomina, Tonina Matamalas & Las Kellys Barcelona
Consulting: Isabel Cruz
Voiceover: Rocío Manzano, Vania Arana, Miriam Suárez, Carmen Crespo
Music: Aurora Bauzà
Editor: Carme Gomila
Animation: Tonina Matamalas in cooperation with Donata Schmidt-Werther, María Berzosa & Katu Huidobro
Camera: Susana González
Production: Cooperativa de Tècniques
Picture: Marielle Paon
Tonina Matamalas (* 1987 in Andratx) also has a background in Fine Art, specialized in Video and Documentary. She graduated in Barcelona University (2010) and Cooper Union University in New York (2008). Nowadays she works in illustration, visual communication and experimental animation. The last projects she has been working on are: long term documentary drawing project about abortion, sexual and reproductive freedom and as a color designer for the 90min Animation Movie «1917 The real october», directed by Katrin Rothe (2016).
Carme Gomila (*1987 in Maó) has a background in Fine Arts, specialized in Video Art and Documentary at Barcelona University (2010), Universidad de Guadalajara in México (2009) and has a Master in Digital Arts from the UPF Barcelona (2014). Nowadays she works on live video for performance and developing projects about creative experimentation with feminism and technology. Member of «Cooperativa de Tècniques» a feminist cooperative of audiovisual technicians; «Atzur» live visual making collective and Impremta Col·lectiva de Can Batlló, a selforganized letterpress print shop in Barcelona.
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REVERIE
Germany | 2018 | 2 min | Animation | without dialogue
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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Reverie is a 2D-animation project about the inner image of our outside reality. Imagination and fantasy are important factors of our sexual desires, nothing seems more personal than our own thoughts. It’s up to us if we share them or keep them for ourselves.
Concept / Realization / Animation: Lea Schmitt
Lea Schmitt is a Berlin-based motion designer. She graduated in Media Technic Studies at OTH Amberg (2014) and Motion Design Studies at Berliner Technische Kunsthhochschule (2018) and in Toronto. Her bachelor projects „Reverie“ has already been screened at Feminine Tripper Festival Oslo and STIFF Festival Rijeka.
Picture: Merve Terzi
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RIOT NOT DIET
Germany | 2018 | 17 min | Documentary | OV with eng. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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A golden summer dress in XXL, the ice-lolly drips slowly onto the hot ground. RIOT NOT DIET
creates a queer feminist utopia far away from BMI norms. The fat women* and queers in
this movie are not ashamed of their expansive body dimensions, but confidently claim space
for themselves. They use their bodies to blow up patriarchal structures. In times of selfoptimization, your belly is a statement!
Director: Julia Fuhr Mann
Cinematography: Julia Swoboda
Sound Design: Cornelia Böhm
Producer: Andreas Günther
Editing: Andi Pek
Music: Zdrada Pałki
Tattoo Artist: Ina Bär
SFX Makeup: Manuela Rosa Maderthaner
With:
Sara Ablinger
Magda Albrecht
Brandy Butler
Christine Fiedler
Kristina Kuličová
Marzen Lizurej
Veronika Merklein
Zdrada Pałki
Flora Schanda
Julischka Stengele
JJ Thunderkhat
Hengameh Yaghoobifarah
Julia Fuhr Mann, born 1987, is currently living in Munich. She’s a filmmaker, curator and queer-feminist activist. After studying philosophy, since 2013 studies in film directing at UNIVERSITY OF TV AND FILM MUNICH. As a member of PRO QUOTE FILM she stands up for gender equality, she’s a curator of women's cult film festival BIMOVIE and works for the video editorial of SÜDDEUTSCHE ZEITUNG.
Picture: Janina Werz
Filmography (selection):
"A Mother’s Love"
Hybrid of fiction and documentary, 9 min, 2014
Edinburgh International Film Festival
"The Show Show"
Hybrid of fiction and documentary, 26 min, 2016
Moscow Experimental Film Festival, Kino Der Kunst
"Doctor Future"
Social spot for DIE ZEIT, 5 min, 2017
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SELVA
Argentina/Chile/Costa Rica | 2016 | 17 min | Fiction | OV with eng. Sub.
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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The land expels and the ocean drowns, departures repeat themselves in every generation. Selva dances within voices and memories, in a game that prepares her for the inevitable separation.
Director / Screenplay: Sofía Quirós Ubeda
Producer: Mariana Murillo
Cinematography: Francisca Saéz Agurto
Editing: Sofía Quirós Ubeda, Florencia Rovlich
Sound Design: Martín Scaglia (ASA)
Production Design: Mauricio Esquivel
Music: Fran Villalba
"Sofía Quirós Ubeda was born in Argentina in 1989 but lived most of her childhood in Costa Rica. In 2011, she directed her first short film, The Other Side, which won the award for best documentary at the Argentinian Festival REC. In 2015, her second short, Inside Land, was screened at a number of festivals, including Clermont-Ferrand. Her last short film, Selva, was part of the competition of the 56th Semaine de la Critique at the Cannes Film Festival. Since then, it has screened in festivals all over the world, including Biarritz (TV5 Prix) and Guanajuato (Women in Film and TV Award). Her first feature film ""Land of Ashes"" was supported the Tribeca Latin American Film Fund, the World Cinema Fund and the Ibermedia Program, among others.
Picture: Sofía Quirós Ubeda
Filmography:
Selva, 2016
Inside Land, 2015
The other Side, 2011
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SOMEBODY'S DAUGHTER
Chile/ Mexico/ United Kingdom | 2018 | 11 min | Fiction | OV with eng. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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Issa, a 9 year old Gujurati immigrant, has recently arrived to Mexico City with her father Rahul who encounters an opportunity to act in a local television commercial looking for an 'exotic' look.
Writer/Director: Shalini Adnani
Cinematographer: Joan Vicente Dura
Producer: Michael Graf
With:
Zara Henstock
Akbar Kurtha
Shalini Adnani is a London-based, Chilean/Indian writer and director. A graduate of Bard College, Shalini initially worked in journalism and publishing gradually finding a passion in cinema. Her first short film Something More Banal (2017) premiered at the Brooklyn Film Festival and was in the official competition at UrbanWorld Film Festival, Eindhovens
Film Festival, and various others. Her first feature film, A Grown Woman, is currently in Post-production.
Picture: Gabriele Sciotto
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THE NATIONAL GARDEN
Greece | 2016 | 15 min | Fiction | OmeU
8th December 2018 | 22 o'clock | 1h31’ | Q&A after the screening
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Tina a fashion design child prodigy, attends the Halloween costume contest, dressed as a Penguin, to lose the first prize to Princess Jasmine. Tracking down the advantages of the winning costume, she comes to a life changing revelation.
Director/writer: Syni Pappa
DOP: Olympia Mytilinaiou
Producer: Maria Repousi
Production Designer: Eleni Folerou
Make up: Goldy Roufogali
Location Manager: Poulcheria Tzova
With:
Mary Karazisi
Katerina Lazopoulou
Stathis Apostolo
Iris Baglanea
Rafika Chawishe
Film director and screenwriter Syni Pappa was born in Cologne. She finished high-school in north Greece and graduated in Film ( Raindance Filmschool, London) and in Social Anthropology (Panteion University, Athens) after completing her training as a classical dancer. Her work includes a body of short films screened and awarded in festivals internationally as well as screenplay collaborations for feature films. She lives in Berlin working on her debut feature-film.
Picture: Manu Brulé
Filmography:
The National Garden, 2016
Wrack, 2015
Miseries Increase, 2012
Honey Bed, 2009
Lessons In Sociology, 2009
Pee,Pills And And The Naked Guy, 2005
Work In Progress Take I, 2004
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THREE CENTIMETRES
Lebanon/ United Kingdom | 2018 | 9 min | Fiction | OV with eng. Sub.
8th December 2018 | 18 o'clock | 1h33’ | Q&A after the screening
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Four Lebanese girls go on a Ferris wheel ride to cheer up their friend after her breakup. Their conversation drifts to a less fun place.
Writer/Director: Lara Zeidan
Producer: John Giordano
Camera: Pierfrancesco Cioffi
Editor/Sound Editor: Emanuele Bonomi
Co-producer/Script Editor: Hiam Hilal
Sound Recordist: Kateryna Zabulonska
Script Editor/Production Assistant: Carole Issa
First AC: Joan Vicente i Durà
Second AC: Ashraf Mahmoud
DIT: Joseph Rai
Makeup Artist: Michel El Ghoul
Sound Designer & Mixer: James Hynes
With:
Mira Choukeir
Joyce Abou Jaoude
Bissan Ahmad
Melissa Dano
Lara Zeidan is a Lebanese/Canadian filmmaker based in London. After completing a BA in Graphic Design at the American University of Beirut, she enrolled at the London Film School, MA in Filmmaking course, where she developed her skills as a writer/director. Her graduation film ‘Three Centimetres' premiered at the Berlinale 2018, where it won the Teddy Award for Best Short Film.
Picture: Zhannat Alshanova
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A cooperation of the Furora Film Festival with POSTERWOMEN.
»Posterwomen« is a feminist project initiated by Berlin-based graphic designer Svenja Prigge to promote women* poster designers through the visual blog on instagram (@posterwomen) and through collaborations with other projects.
The Furora x Posterwomen exhibition is a collaboration that creates a platform for publishing and promoting work by women* artists.
The concept is that the designers visually interpret the festival films, thus the exhibition extends the film’s message through a different medium.
Logotype »Magnet Poster« from Inga Plönnigs
The exhibition will be presented in the premises of the city kino Wedding during the festival time.
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SPEED DATING BRUNCH
Heart of Furora will be the common brunch: The invited women get to know each other during a relaxed, but professional atmosphere and can tie new connections. Emergent filmmakers meet experts from film business during a speed dating.
You're interested to participate in the brunch? Apply now via this link.
The brunch will take place on Sa, 08.12.18 from 11 until 13 o'clock in the foyer of the City Kino Wedding.
The presentation of the brunch will be hold by a member of Women's Film Network Berlin.
MODERATORS OF THE SPEED DATING BRUNCH
Shari is originally from Germany but grew up in Singapore, Sri Lanka and Malaysia. She’s been living in Berlin for 4 years now, where she’s a producer at Unframed (www.un-framed.co), a production company she founded with Melina Voss and Shannon Getty, whose mission is to put stories on screen told through the eyes of women and other diverse perspectives. The initiative was born out of the Women’s Film Network Berlin (www.womenfilmberlin.com) that she started with Shannon Getty, a community of 2000+ women* determined to bring equality and diversity to film & media.
Picture: Shari Mahrdt
Alex grew up in the UK and began her career representing novelists, screenwriters and directors at Michelle Kass Associates Agency in London. She's since moved into script development and writing for film and TV, and currently freelances for producers in Berlin and internationally. Alex works with the Women's Film Network Berlin to develop partnerships and in order to empower women in and through film.
Picture: Aron Klein
EXPERTS OF THE SPEED DATING BRUNCH
Tatjana Turanskyj
writer | director | activist
Picture: Tatjana Turanskyj
Turanskyj has been a film maker and a performance artist since 2001, the year she co-founded the Berlin women’s film collective hangover ltd.*., of which she was a member until 2007 and in all of whose films she performed and acted as co-writer and co-director. The collective’s film Remake (2004) won the 1st Prize at the International Short Film Festival in Oberhausen in 2005. Since 2008 Tatjana Turanskyj has been a joint partner in the production company turanskyj & ahlrichs***, which produced her acclaimed and award winning film Eine Flexible Frau (The Drifter, 2010) as their first project. Her second film with turanskyj & ahlrichs***, Top Girl (2013) had its world premiere at the International Forum of Young Film at the 64th Berlin Film Festival in 2014. Her new Film “Disorientation is no crime”, which she had produced and directed together with documentary film maker Marita Neher was premiered 2016 at the 2. BERLIN CRITICS WEEK. TURANSKYJ is also working as a (script) writer and is co-founder of the women´s organization PRO Quote Regie for gender equality in the film business. She is based in Berlin and develops two new films right now.
Susanna Salonen
camerawoman
Picture: Ute Badura
Susanna Salonen was born in Finland in 1966 and has been living in Germany since 1973. After high school she worked as a lighting technician and camera assistant. Since 1996 she works as a freelance cinematographer in documentary which have been showed in festivals worldwide including the Berlinale. She is also a director and won in 2016 the Grimme Award for her feature film debut "Patong Girl".
After studying painting, graphic design and illustration and new media degree and diploma 1994 in the department of visual communication. Until 1998 freelance for various design offices in Konstanz, Munich and Zurich, focusing on exhibition conception, interior design and scenic painting.
1996 move to Berlin. Since 1998 Karin Betzler has been developing spaces, sceneries and costumes in short film, advertising and feature film for European and international productions as well as independent cinema. Experience abroad since 2000 in Southern and Eastern Europe, Africa, South America, Russia and Australia. From 2014 to 2016, she has a lectureship at the Berlin University of the Arts for stage design. She has been working as a costume and stage designer for theater and art projects since 2008.
Karin Betzler lives and works in Berlin and Hamburg.
Karin Betzler
production design | set decoration
Picture: Karin Betzler
Marsia Tzivara is an awarded director and producer from Greece. She is actively into film-making and media activism for more than 15 years and her work has been presented worldwide. In Berlin, she founded the independent production company and film community Kleine Filmfabrik Berlin, with a special interest on first step filmmakers and unconventional themes. She has been invited as Jury at the Hellas Filmbox Berlin 2016, at the Prix Europe 2017 and at the Aman Project market (Jordan 2018) as one of the 10 selected German producers. At the moment, she is on a festival release with her latest film 'Dania' which gave her an award at Bridges international festival as best director of Greek Diaspora. At the same time, she producers the documentary film '30 years apart' in Egypt, in collaboration to the Egyptian director Ahmed Safyeldin and the feature fiction 'Lost horse' with the Greek director Stella Alisanoglou. She also teaches at Film Arche and KFB in Berlin and offers personal consultancy on emerging filmmakers.
Marsia Tzivara
director | producer
Picture: Marsia Tzivara
Catering by La Vie en Toast.
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WORKSHOPS
Another opportunity not only for networking but also for further education are the workshops during Furora Film Festival. Offered by women for women, we want to provide a platform for emergent and future filmmakers to acquire new skills and knowledge.
Are you interested in participating one of these workshops? Just fill in the application here. There is a limited amount of spaces. The entrance fee is 7€ and should be paid in advance.*
In case the workshop is booked out we will put you on a waiting list and inform you about available space as soon as we got a cancellation.
The workshops will be hold saturday, 08.12.18 from 13 o'clock until 16:30 o'clock at the Centre Français de Berlin.
You can choose between:
*The fee can be refunded after a written cancellation at least 48 hours before the event.
Sound Design
Workshop with Ella Zwietnig
08th December 2018 | 13 until 16 o'clock | Room 117 | English
WORKSHOP REGISTRATION
Pictures: BBC Archive
As it is said that sound is 50% of a film but film sound is still one of the more unknown parts of creating a film, this workshop aims to be an introduction to filmmakers on how sound contributes to their stories on-screen, and how they can start thinking about the role of sound design.
There will be short exercises about how we hear the world and how this relates to sound design.
How can we use sound as an effective way of telling a story?
What’s authentic in regards to sound and how much authenticity is important?
The workshop will include hands-on listening and noise-making exercises (the technical component will be covered by the workshop host).
Please bring any objects that you think make interesting noises.
Specific topics:
Introduction, with examples, of how many roles sound has in film and how you can use it for your film.
In a short practical exercise we will put sound to a short film sequence to experiment with foley sound, atmos and to show the importance of diegetic and non-diegetic sound.
In the end some small edit basics will be covered, like Crossfades, inaudible clicks, noise reduction and more.
NOTE:
Participants: can hand in their own films and we will pick one that we think is suited for the practical exercise.
Email for film propsal: ella.zwietnig@gmail.com
Ella Zwietnig is a composer, sound designer, music supervisor & performer that writes and creates music for film and media. She has a 8 years of musical training in piano and is graduating with a Bachelor of Arts in
Audio Design beginning of 2019, with a strong focus on composing for visual media.
Apart from releasing under the name UMA, her composition and sound design work includes writing music for fashion films, commercials and composing for feature-length films.
Her clients include: New Balance, Everlane, Design Hotels, Hexal, Schock,
Kleiderkreisel/Vinted, Volksbank and Raiffeisenbank. Renault, Mercedes et al. She has worked for directors such as Taika Waititi, Maren Langer, Oliver Grüttner andSimon Oblescak among others.
Picture: Dan Wilton
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The feminine eye
Workshop with Luise Schröder and Madeleine Dallmeyer
08th December 2018 | 13 until 16:30 o'clock | Room 115 | German
WORKSHOP REGISTRATION
Picture: Luise Schröder
In the workshop „the Feminine Eye“ documentary filmmaker Madeleine Dallmeyer and cinematographer Luise Schröder want to pursue the question of the „feminine eye“ with the participants.
Is there such a thing as a feminine way to look to the world and what could it be?
After an introduction where the topic will be discussed based on several pictures of female photographers the participants will go to selected places and take pictures on the quest for their own „feminine eye“.
The participants will then choose their pictures so they can discuss the results with the group.
Equipment needed: Digital camera or smartphone, Laptop, card reader.
Born in 1980, Madeleine Dallmeyer studied cultural anthropology in Munich
and Paris. During her studies she focused on visual anthropology and made
her first documentaries.
After her master's graduation she went on to study practical film making at Filmakademie Baden-Württemberg in Ludwigsburg and Bilgi University in Istanbul. Since her graduation in 2012 she made several full length as well as short film projects.
In her work she addresses a wide range of topics, a re-occurring topic is intercultural relations.
Picture: Felix Hauke
Luise Schröder was born in 1984 in Simmerarth, Germany. After her internships at the film production company Heimatfilm and ARRI film rental in Cologne, she studied cinematography at the Unversity of Applied Sciences and Arts in Dortmund from 2005 to 2014.
She shot documentary films in Chile, Venezuela, Indonesia, Macedonia, Switzerland and Germany, which were shown at international film festivals and won various prizes. In 2016 her documentary Valentina won the Michael-Ballhaus Award for Best Cinematography at the First Steps Awards. Since 2018 she is part of the CINEMATOGRAPHINNEN - Woman Cinematographers Network.
She lives in Berlin and works as a cinematographer for national and international documentaries, feature films and commercials.
Picture: Katrin Streicher
workshop results
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TALK
At Furora Film Festival, we invite experts of film industry to talk about their experiences.the The talk will take place on Saturday, 7th December 2018 from 16:30 until 18 o'clock in the Centre Français de Berlin.
You want to participate the talk? Then register yourself here. The entrance fee is 5€ and should be paid in advance.*
*The fee can be refunded after a written cancellation at least 48 hours before the event.
connecting@International festival labs
talk about film markets with Paola Wink
08th December 2018 | 16:30 until 18 o'clock | Room 117 | English
TALK
REGISTRATION
Picture: Marcela Bordin
I have a feature film project: what’s next? This talk deals with the mechanism of the international film market and the importance of events such as laboratories for film development and work-in-progress.
Tipps for pitching a project, connecting at those events and how to make the most of it will be themes of this conversation. This talk is aimed at female producers at the beginning of their careers who wish to enter the international market.
Paola Wink graduated in Film production at PUCRS in Porto Alegre, Brazil. She produced twelve shorts screened in national and international film festivals. She produced the feature films CASTANHA (2014) and RIFLE (2016) by Davi Pretto, both premiered at the Berlinale.
With her projects she was invited to labs and co-production markets such as Berlinale Talent Project Market, EAVE Puentes, Carte Blanche Extra at Locarno Film Festival, Co-Production Forum at San Sebastián Film Festival, BAL - Bafici, BrLab, Brasil CineMundi, LoboLab at Mar del Plata Film Festival, Buenos Aires Talents and BoliviaLab.
In 2018, she founded together with Jessica Luz, the company VULCANA CINEMA, focused on art house films, first features and international market.
Picture: Davi Pretto
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